| Today, funk legend Bootsy Collins releases his 23rd studio album Album of the Year #1 Funkateer out now on Bootzilla Records/ Roc Nation. Listen to the album here and the lead single “Bubblepop” featuring Ice Cube and Fantaazma here.
Bootsy Collins, even at his 73 year-old, funk legend, wise-elder status, remains a deeply curious, experimental artist who is ever-evolving. This album finds Bootsy in the producer’s chair, with an A&R top hat and the funky bass still in his hands. He’s gathered talent established and new – including Snoop Dogg, Ice Cube, Wiz Khalifa, and Dave Stewart, as well as newcomers October London, Harry Mack, Baby Triggy, Fantaazma, and more. “When I start on a project now, it’s about getting the energy from people around me,” says funk maestro Bootsy Collins. “Because the way I came up, with a band, I don’t ever want to lose that. It’s important to me to see who the universe brings for me, and I’ve been really blessed that every time I want to do a new record, I get these incredible musicians around me, right on time. And that’s what this album is about—hooking up with different musicians and artists, and mainly a lot of young people.” The result is a genre-bending kaleidoscope of funk, punk, rock, r&b, pop, and even a little electronic futuristic vibes as Bootsy contemplates AI. He is letting his alter egos – Bootdullivan, Bootzilla, Caspar the funky ghost, and Bootronix among others – join the party, with seductive jams (“Pure Perfection”), futuristic exploratory musings (“I.Am.AI.”, “Ubiquitous” – a true jam), pure funk fun (“Bubblepop”, “Fishnets”, “Chicken & Fries”) and unexpected rock-pop genius (“Satellite”). Talking about his new Album of the Year #1 Funkateer leads Rock and Roll Hall of Famer Collins to revisit the most pivotal moment in his legendary career, when James Brown hired the Pacemakers—the band led by teenage Bootsy and his brother Catfish—to replace his backing group in 1970. “I understand now why we were really important at that particular time for James Brown,” says Collins. “It wasn’t just the music. It was because we were lit up, and I understand that more now. With the young artists that are really on fire, I get lit up, and it reminds me that you don’t have to just stand around and not be feeling it, you can be absorbing all this fresh, new energy. I get off on that. I guess you can say that I moved from being a player and now I’m a coach. I want to be looked at as a help, a mentor, somebody they can look up to and trust. That’s my goal.” In addition to working with young artists like Barbara Teleki (whose blazing guitar rips up “Barbie T & Me”) and the mysterious Bootdullivan, Collins brought in some other legendary contributors to help him mix things up on Album of the Year, including longtime friend Dave Stewart of Eurythmics. “I asked Dave if he would be interested in collaborating,” says Collins, “and that sparked the first vibe of, yeah, I can stretch out—I can make some rock and funk and merge that together with some hip-hop. That’s what we did on the first single, ‘The Influencers.’” “Then on ‘Satellite,’ I heard him playing acoustic guitar and that put me in the right mood,” he continues. “Okay, this can be, like, a real song from Bootsy. I usually don’t do real songs, I guess that’s part of my thing, but that one and ‘Alien Flytrap’ brought me back to why people do songs with a form and a structure and this time, I wanted to.” The album also reunites Collins with Snoop Dogg, Ice Cube, and tha Dogg Pound, all of whom helped keep the P-Funk flag flying by mutating the sound into the West Coast G-Funk era. “Even before we knew each other, we were drawn to each other,” says Collins. “They’ll never forget, and we’ll never forget them, because they kept the fire burning. It’s like we’re each other’s keeper. They can call me, I can call them, whatever you need, I’m there.” In addition to the new album, Bootsy has many other endeavors including Bootsy’s peace-driven initiative Funk Not Fight, and the new Bootsy Collins Network, the ultimate destination for live entertainment and on-demand content. Dive into a world of electrifying live-streaming channels featuring Pay-Per-View events, exclusive video-on-demand content, and groundbreaking live product launches. Whether you’re tuning in for high-energy concerts, the latest in tech innovations, or intense e-sports action, the Bootsy Collins Network delivers an immersive experience like no other. Bootsy Collins network will be available across all major streaming services, including Apple iOS, Google Android, Roku, Amazon Fire TV, and Google TV, ensuring you never miss a moment of the excitement. From legendary live performances to cutting-edge digital experiences, we bring you front-row access to the best in music, technology, and gaming—all in one place. 01 – Album of the Year #1 Funkateer |
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WAV母带音源
WAV母带音源格式由于音频解析度高,实际文件比普通WAV格式偏大,属正常现象,为满足部分用户想要的市面上那些母带音乐而发布供体验。
正版慢抓
对于一些经典专辑市面暂无数字专辑的我们采取正版慢抓保存下来,对于目前来讲是较好的选择。
MQA(Tidal)
侧重于便携性流媒体服务,缩减音频体积的同时又能提供不错的音质。华语流行原始录音文件多为44.1,应MQA官方最新要求,即显示44.1
FLAC(Qobuz)
优质流媒体服务商,曲库丰富,音质可以满足大部分用户需求,与索尼等顶级数字专辑商城有一定差距
FLAC(Moov)
中国香港首个及唯一提供24 bit 升频版本之音乐串流服务,音乐经特制升频处理将音乐取样频率伸延,即使在不同播放装置仍能保持高度原音
SACD精选
实体唱片中的HiRes,此分类音频由SACD转制,由于SACD的特性,转制效果有一定折扣
原生高解析数字专辑
信息量可达CD的6.5至512倍。
*384kHz及22.6MHz的高解析音频对设备要求较高
*其中45.2MHz的音频 单曲 可达3g,对存储介质也有较高需求
