| 01. Organum Light 02. Last Round: I. Movido, urgente 03. Last Round: II. Muertes del Angel 04. Apollon musagète, Premier tableau (Arr. for Chamber Ensemble by J. Azkoul): Naissance d’Apollon 05. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Variation d’Apollon [Apollon et les Muses] 06. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Pas d’action [Apollon et les trois Muses: Calliope, Polymnie et Terpsichore] 07. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Variation de Calliope [l’Alexandrin] 08. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Variation de Polymnie 09. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Variation [de] Terpsichore 10. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Variation d’Apollon 11. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Pas de deux [Apollon et Terpsichore] 12. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Coda [Apollon et les Muses] 13. Apollon musagète, Second tableau (Arr. for Chamber Ensemble by J. Azkoul): Apothéose 14. Nonetto II: I. Inquieto 15. Nonetto II: II. Allegro impetuoso 16. Nonetto II: III. Adagio 17. Nonetto II: IV. Vivacissimo 18. Apotheosis (In memoriam Pablo Casals) Together with its artistic director Julian Azkoul, the United Strings of Europe develop engaging programmes with the aims of finding threads between different works and epochs, musical cultures and backgrounds, of blending the familiar with the new and of encouraging people to listen to works in different ways and discover new repertoire. For its new release entitled Hommages, the ensemble celebrates musical traditions, from the myth of Apollo and the muses of Greek Antiquity to legends of the 20th century, Carlos Gardel and Astor Piazzolla, renewed by contemporary voices. Inspired by dreams and recollections of the past, this imaginative programme features recent works alongside the world première recording of Julian Azkoul’s arrangement of Igor Stravinsky’s neo-classical ballet Apollon musagète, composed during the 1920s. While Dobrinka Tabakova’s Organum Light, here recorded for the first time, was inspired by Einstein’s theory of quantum light, Osvaldo Golijov has returned to his Argentinian roots for Last Round, a tribute to two legendary compatriots. As for Olli Mustonen (who can be heard as a pianist on several other BIS recordings), his Second Nonet is a timeless work in which we hear echoes of the Balkans, music from the Romantic period and Nordic moods. A further work by Mustonen, Apotheosis, another world première recording, concludes this varied programme on a dramatic note, inspired by Bach’s chorale preludes. |
原生高解析数字专辑
信息量可达CD的6.5至512倍。
*384kHz及22.6MHz的高解析音频对设备要求较高
*其中45.2MHz的音频 单曲 可达3g,对存储介质也有较高需求
