首席女高音 (Prime Donne)

01. Juditha Triumphans, RV 644, Act I: Aria. Armatae face et anguibus
02. Salve Regina in F Major: I. Salve Regina
03. Salve Regina in F Major: II. Ad te clamamus
04. Salve Regina in F Major: III. Ad te suspiramus
05. Salve Regina in F Major: IV. Eia ergo
06. Salve Regina in F Major: V. Illos tuos
07. Salve Regina in F Major: VI. O clemens, o pia
08. Violin Concerto in B Minor, RV 387: I. Allegro
09. Violin Concerto in B Minor, RV 387: II. Largo
10. Violin Concerto in B Minor, RV 387: III. Allegro
11. Juditha Triumphans, RV 644, Act II: Aria. O servi volate
12. Ascende læta, RV 635: I. Aria. Ascende laeta
13. Ascende læta, RV 635: II. Recitativo. Quam pulchri, quam formosi
14. Ascende læta, RV 635: III. Aria. Sternite angeli
15. Canta in prato, ride in monte, RV 636: I. Aria. Canta in prato, ride in monte
16. Canta in prato, ride in monte, RV 636: II. Recitativo. Sacra fulgescit nobis
17. Canta in prato, ride in monte, RV 636: III. Aria. Avenae rusticate
18. Volate Gentes: I. Aria. Volate gentes
19. Volate Gentes: II. Recitativo. Fulcite me floribus
20. Volate Gentes: III. Aria. Cari flores, grati odores
21. Volate Gentes: IV. Aria. Alleluia

At a time when castrati reigned on Europe’s stages, a few composers dared to write for female voices. Vivaldi, Porpora, and Porta explored the subtleties of this repertoire to create some of the finest sacred music scores of their era. Marina Viotti revives this forgotten heritage, placing the power of her voice at the service of the rich and moving melodies gathered here.

Accompanied by Andres Gabetta and the Orchestre de l’Opera Royal, between theatricality and sacredness, Marina Viotti accomplishes the feat of bringing back to life the golden age of 18th-century sacred music, while paying tribute to all the women who, through their art, embodied the soul of the masters.