| In this new album, Florence Bolton and Benjamin Perrot revisit the composer who gave their ensemble it’s delightful name, La Rêveuse. Drawing on his heritage (Sainte-Colombe), his friendships (Robert de Visée) and his own visionary genius, Marin Marais blazed new trails for his instrument in his second book of viol pieces (1701). Alongside the customary dances and sets of variations, he invented the ‘character pieces’ that were to become so popular in the eighteenth century.
TRACKS
01 – Pièces de viole, Book 2, Suite in E Minor_ No. 96, Prélude
02 – Pièces de viole, Book 2, Suite in E Minor_ No. 98, Allemande
03 – Pièces de viole, Book 2, Suite in E Minor_ No. 101 Sarabande à l’Espagnol
04 – Pièces de viole, Book 2, Suite in E Minor_ No. 102 Gigue
05 – Pièces de viole, Book 2, Suite in E Minor_ No. 109, Tombeau pour Monsieur de Sainte-Colombe
06 – Pièces de viole, Book 2, Suite in G Major_ No. 82, Chaconne en rondeau
07 – Pièces de viole, Book 2, Suite in D Minor_ No. 22, Prélude
08 – Pièces de viole, Book 2, Suite in D Minor_ No. 19, Ballet en rondeau
09 – Pièces de viole, Book 2, Suite in D Minor_ No. 40, La Polonoise
10 – Pièces de viole, Book 2, Suite in D Minor_ No. 38, Cloches ou Carillon
11 – Concert XLIV, Tombeau Les Regrets_ Les Regrets – Carillon – Appel de Charon – Les Pleurs – Joie
12 – Pièces de viole, Book 2, Suite in A Major_ No. 142, Fantaisie
13 – Chaconne in G Major
14 – Pièces de viole, Book 2, Suite in D Minor_ No. 20, Couplets de Folies _Folies d’Espagne_
15 – Pièces de viole, Book 2, Suite in D Major_ No. 63, Les Voix humaines
Digital Booklet.pdf |
